We travel from slow-core pastoral rock to ambient electronic music when we hear the latest by the Lancaster based band, The Innocence Mission and the English electronic pop group, Radium 88.
Jamie Sieber was at the leading edge of a new generation of cellists taking the most soulful of symphonic strings in new directions, looping her cello and using electric guitar-style effects. She comes in to create her looping cello chamber works live.
Laurie Anderson is a true icon of modern music, creating a sound unlike any other that brings together cultural observations, acute humor and ambient textures. In her new film, Heart of a Dog, she explores themes of death, doubt, culture and moms.
Coming up on the next Echoes it’s new music by Low. The band that specializes in slowly moving rock gets a little less slow on their new album, Ones and Sixes.
We’ll hear from a 21st century progressive rock opus by Mark McGuire called Beyond Belief and sufi chants turned into lush tapestries by HuDost.
Echoes listeners are now voting in the Best of Echoes 2015 Poll. They are picking their 10 favorite albums heard on Echoes in 2015 and they’ll be tabulated into the Echoes Top 25 Albums for 2015
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Todd Tobias creates ambient vignettes; short excursions into a mysterious sound dominated by multiple guitars and manipulated samples. He’s worked extensively with the rock band, Guided by Voices, but makes an ambient sound on his own. He talks about it on Echoes.
Laurie Anderson is a true icon of modern music, creating a sound unlike any other that brings together cultural observations, acute humor and ambient textures. In her new film, Heart of a Dog, she explores themes of death, doubt, culture and moms.
On a Slow Flow Echoes John Diliberto brings us an all instrumental soundscape that will include new music by David Arkenstone and synth -guitarist Mark Dwane
It’s like an emergency room on the next Echoes. We’ll hear music by Cliff Martinez from the TV series, The Knick, set in a 1901 NYC hospital and Julien Baker singes about a sprained ankle.
