
“I kind of like the idea of just the position and contrast in that piece,” he explained. “That you have these sort of harsh, factory type sounds, stamp presses and such, Tesla rays and sort of threatening or ominous sinister sounds against a sort of velvety choir type sound. It was basically the textured piece, a mood piece, comparing sort of opposite poles of harsh sounds and quiet sounds, and smooth sounds, dark sounds, light sounds, and kind of blending them together.”Before he lost his hair, but following the demise of After Image, A Produce began making the move away from guitar. He was seduced by synthesizers and their possibility to create landscapes of sound. The early results can be heard on his 1988 debut album, The Clearing.
“The Clearing was a very minimalistic album,” observed Craig. “At the time I described it in a stuff I sent out with the promo copies as a… What did I call it? Something about an abstract, well, I forget, but anyway it was an exploration in abstract sound or conceptual space, that’s what I called it…. I had played guitar in a band here in Los Angeles in the early 80s and really hadn’t done much with keyboards or synthesizers and I’d just started to get interested in that and so it was very much a transitional album going from a rock environment in to more of an ambient one.”
Since The Clearing, A Produce released dozens of CDs on his own Tranceport label as well as the Hypnos label. If his influences aren’t apparent in the music, he reveals them in his instrumental credits. he gives his sounds names like Wavestation, Hassell Air, Somber Reptiles And Fripp Vs Room, nodding to the first generation of modern ambient musicians.
By now, you might be wondering why Barry Craig is known as A Produce. He says it was given to him by another musician who wanted Craig to produce him. “Then, when the band later got together he started giving everybody names,” recalled the synthesist. “He was R Dash. There was another guy named I B Morgan. I was A Producer. And we later dropped the “r.” I told you it wouldn’t be that interesting but that’s how it happened folks.”
Whether he went by A Produce or Barry Craig, he never became a household name, even within the limited world of the ambient scene. But A Produce did slowly build a following, selling a couple of thousand copies of each record, mostly thru word of mouth. With a studio in what would normally be a dining room, he was content to create the soundscapes of the unconscious. “I see myself as doing a deep listening kind of music,” he avers. “Music for contemplation, meditation. The name of my label is Transport, something that transports you out of your daily routine and puts you into a space where your thoughts can travel.”
Barry Craig died of natural causes on September 4, 2011 in Los Angeles, CA. He leaves behind his wife Jane, parents Jim and Doris, and sisters Cheryl and Laurie. Friends and followers are invited to leave words of remembrance about Barry on this Facebook page. Those wishing to express words to his family are invited to contact his sisters: Cheryl =cheryldparker@comcast.net or Laurie = hvn2fn@aol.com. You can read tributes to A Produce on the Hypnos Forum.
His most recent CD release in 2011 was INTANGIBLE, performed by A Produce & Loren Nerell. Barry’s musical works are available from Hypnos Records or CDBaby or www.amazon.com.
A Produce transported us for years. Now he’s been transported himself.
John Diliberto ((( echoes )))


Barry,
Flow in peace…
Thanks John for the tribute to Barry, he is very much missed. I just thought I should mention that you should probably remove the link to Trance Port, since Barry is gone no one is around to full fill those orders.
Of all the more than forty electronic artists I have collected, beginning all the way back to “Zeit” from Tangerine Dream, no other artist has moved me like Barry Craig’s truly different, and captivating epics. I loved his use of industrial noise over a floor of synthesizers.
“Heart of the Dunes” NEVER fails to fascinate me and to also send chills right down my spinel. I have given this tune to more than 50 people and most of them say it does the same for them.
Barry’s music would have made a helluva soundtrack for the new “Prometheus” film, the Ridley Scott “Alien” prequel this summer. A Produce’s evocative soundscapes coulda/shoulda been used to high acclaim, too, in lots of other dark genre film thrillers, IMO.
Drift peacefully and happily in your new world, Barry. Thanks so very much for the many unique and great albums…
—Phil